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8 Channel Socket Power Timing Device 63A Conference Room Equipments

Categories Conference Room Equipments
Brand Name: GESTTON
Model Number: GCS-PE81S
Certification: CE
Place of Origin: Guangdong, China
MOQ: 10
Price: Negotiate
Payment Terms: T/T, Western Union
Supply Ability: 10000 pics/month
Delivery Time: 3-7 work days
Packaging Details: Carton Box
Output channel: 8-channel standard power socket + 1-channel normally open non-sequential power socket
power supply: AC 100~240V/63A
Channel load output: Audio equipment load <20A
temperature range: -5℃~+40℃
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8 Channel Socket Power Timing Device 63A Conference Room Equipments

Intelligent power timing device


Parameter


Output channel: 8-channel standard power socket + 1-channel normally open non-sequential power socket

Control access: 1*RS-232 serial port, 1*RS-485 central serial port, 1* wire control interface, 1*RS-485 cascade connection port Power limit total power: AC 100 ~ 240V / 63A

Channel load output: audio equipment load <20A, linear pure resistance load <10A(cannot be used for stage lighting equipment), the maximum load of the whole machine 63A

Temperature range: -5 ° C to +40 ° C

Humidity range: 0 ~ +40℃

Operating voltage: AC 100V ~ 240V/50Hz ~ 60Hz±10%

Dimensions (L*W*H) : 483 × 268 × 45(mm)

Weight: 3.2 Kg


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Welcome to our company ,a one-stop solution for your Microphone business
Condenser Microphone For Laptop, Desktop Computer,Mobile Phone With Plug And Play effect 6


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In Flat mode, the MV51 offers a pure, DSP-free signal. True, this may not sound as full and crisp to your ears as the other modes, but if you're planning on using your own EQ or compression after recording, this mode is the ideal starting place. We found that Flat mode requires the highest possible gain level in order to achieve relatively normal recording levels in GarageBand. The other modes use enough compression and EQ that they're naturally louder, and you'll want to dial the gain back substantially for each.

Speech mode is crisp and rich. Vocalists with deeper lows in their voice will want to be mindful of the MV51's particularly notable proximity effect—the closer you are to the mic, the more bass depth you'll hear. This can be great, or it can turn things into a muddy mess, so it's important to experiment with your vocalist and not let the DSP do all the work.

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